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All articles by Mark Salisbury – Page 3
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FeaturesUS producer Eric Hedayat talks making $150m historical epic ‘Desert Warrior’ at Neom
Eric Hedayat — the US executive producer of the $150m ’Desert Warrior’ — talks to Screen about shooting the first tentpole feature on location at Neom’s desert facility Bajdah
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FeaturesThe wild ride behind ‘Nimona’: switching studios and staying true to its LGBTQ+ roots
Mark Salisbury talks to directors Nick Bruno and Troy Quane and source author ND Stevenson.
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FeaturesWayne Borg outlines Neom’s 2024 plans for its two productions hubs: “We’ve got a substantive pipeline”
Screen talks to Borg about how the futuristic region of Neom in Saudi Arabia is establishing itself as a go-to destination for international production.
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FeaturesJonathan Glazer on ‘The Zone Of Interest’: "I wanted to remove the artifice of filmmaking"
The film took Glazer almost nine years to make, and is only his fourth feature in 23 years.
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FeaturesTIFF spotlight: David Yates on swapping ‘Harry Potter’ for opioid drama ‘Pain Hustlers’
After 15 years in JK Rowling’s Wizarding World, Yates was keen to get back to the type of work that saw him noticed by Hollywood in the first place.
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FeaturesTIFF spotlight: why it took 20 years for Tarsem to make honour killing story ‘Dear Jassi’
“The whole thing was as Indian as you can get; out of chaos you get all of this.”
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FeaturesEmmys spotlight: How ‘The Last Of Us’ composer adapted his iconic video game score for the HBO series
Argentina-born Gustavo Santaolalla also wrote the scores for Amores Perros, Babel, and Brokeback Mountain.
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FeaturesStars of Tomorrow 2023: Ruby Stokes (actor)
Stoke’s credits include ‘Una’, ‘Lockwood’ and ‘Rocks’
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FeaturesStars of Tomorrow 2023: Sky Yang (actor)
Yang starred in Justin Lin’s ’The Last Days Of John Allen Chau’.
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FeaturesStars of Tomorrow 2023: David Jonsson (actor)
Jonsson’s credits include ‘Industry’, ‘Rye Lane’ and the upcoming ’Alien: Romulus’
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FeaturesStars of Tomorrow 2023: Marisa Abela (actor)
Abela’s credits include ‘Industry’, ‘Barbie’ and the upcoming ‘Back To Black’
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FeaturesEmmys spotlight: Diego Luna explains why ‘Andor’ is a different kind of ‘Star Wars’ story
‘Andor’ is a gritty spy thriller aimed at adults rather than kids, standing apart from other Star Wars shows.
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FeaturesEmmys spotlight: Jack Lowden talks ‘Slow Horses’ role, move into producing and his “funny career”
“I’ve been doing this [for] about 12 years, and I’ve been afforded time to gradually build,” said the 33-year-old actor.
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FeaturesMy Screen Life: ‘Ted Lasso’ composer Tom Howe on early starts and his love for Christopher Reeve’s Superman
Howe has also worked on ’Daisy Jones & The Six’ and ’The People We Hate At The Wedding’.
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FeaturesEmmys spotlight: Emily Blunt on ‘The English’, executive producing and why the “best material is on television usually”
Emily Blunt speaks to Screen about her dual roles as a ‘female Clint Eastwood’ and executive producer of Hugo Blick’s revenge western The English.
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FeaturesEmmys spotlight: JA Bayona on directing ‘The Rings Of Power’ - “I was there to tell the story in a very cinematic way”
Bayona helped JD Payne and Patrick McKay set up the world of ’The Rings Of Power’, as well as helm the first two episodes.
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FeaturesEmmys spotlight: Daniel Radcliffe talks having fun with ‘Weird: The Al Yankovic Story', new 'Harry Potter' series
Daniel Radcliffe tells Mark Salisbury about the peculiar joy of playing the eponymous parody pop sensation in fictional music biopic Weird: The Al Yankovic Story
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FeaturesThe story behind Ke Huy Quan’s Hollywood comeback: “The future looked very bleak”
Former child actor Ke Huy Quan put his Hollywood dreams on hold for decades due to the paucity of Asian roles.
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FeaturesJoseph Kosinski breaks down four key scenes from ‘Top Gun: Maverick’: “We pushed it as far as it could be pushed”
Top Gun: Maverick seduced audiences with powerful setpieces and magic moments that pay homage to the original 1986 film. Director Joseph Kosinski tells Screen about the shooting of four key sequences.
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Features‘Elvis’ cinematographer Mandy Walker breaks down how she and Baz Luhrmann recreated the real musical performances
“[Baz Luhrmann told me] the camera needs to dance with Elvis, so I want you to work out how to do that.”