All Production articles – Page 334
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News
IFFR: Iranian film flourishing
Iranian writer-director Reza Mirkarimi’s Today, Iran’s Oscar submission, has been screening at the International Film Festival Rotterdam (IFFR) this week.
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The Wonders producer boards UK film
Producer of Cannes award-winner The Wonders takes on first UK production.
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Julia Roberts boards Batkid remake
SLAMDANCE: The A-lister is attached to remake rights to the January 24 Slamdance premiere Batkid Begins: The Wish Heard Around The World – A Dana Nachman Film in a deal being put together by Submarine’s new remake label Sub/Version.
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Features
Tiger directors: Martin Radich, Norfolk
The British director talks about his father-son drama, which receives its world premiere in competition at International Film Festival Rotterdam (IFFR).
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Dutch rebate driving up production
Speaking in Rotterdam, Netherlands Film Fund director Doreen Boonekamp has delivered an upbeat assessment of the state of the Dutch film industry.
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Rotterdam: Savage Film brings new projects
Savage Film presents new projects at Rotterdam; Oscar-nominated Flemish director Michaël R. Roskam’s Belgian-set feature The Faithful planning shoot.
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Tiger directors: Juan Daniel F Molero, Videophilia (And Other Viral Syndromes)
The Peruvian director talks about his teen drama, which receives its world premiere in competition at International Film Festival Rotterdam (IFFR).
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Tiger directors: Jeppe Ronde, Bridgend
The Danish director talks about his teen suicide drama, which receives its world premiere in competition at International Film Festival Rotterdam (IFFR).
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Van Ewijk develops US-set Sleep
Dutch filmmaker Jan-Willem van Ewijk is developing a US-set feature, Sleep, following a father and his teenage daughter as they travel through from the Mid-West to California.
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Al-Ghanim Entertainment sets sail
SUNDANCE: Kuwaiti industrialist Nawaf Alghanim announced in Park City on Friday (January 23) the formation of his Los Angeles and Kuwaiti-based financing and production company.
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Features
The VFX of Interstellar
Double Negative’s Paul Franklin talks to Ian Sandwell about keeping the VFX for Interstellar grounded in reality while exploring the wonders of the universe
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Features
Benedict Cumberbatch, The Imitation Game
Benedict Cumberbatch reveals how he broke down with emotion during his last day playing Alan Turing in The Imitation Game. Elbert Wyche reports
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Features
Stephen Daldry, Trash
Stephen Daldry tells Andreas Wiseman how he hopes his comedy thriller Trash will help change established perceptions of Rio’s favelas
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Tomm Moore, Song Of The Sea
Oscar-nominated Irish animation Song Of The Sea draws on ancient folklore and traditional animation techniques to tell a universal family story. Wendy Mitchell talks to director Tomm Moore about the inspirations for the film
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Michael Noer, Key House Mirror
Rising Danish director Michael Noer talks to Sarah Cooper about his third feature, the unusual love story Key House Mirror, which opens Goteborg
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Features
Backstreet Boys: Backstreet’s back
On the eve of its much-anticipated US opening, director Stephen Kijak and producer Mia Bays reveal why an ambitious event theatrical release is the right strategy for their Backstreet Boys documentary.
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Short Films: short change
Short films are more visible than ever thanks to promotional showcases in theatres and online distribution opportunities, but is this translating into more revenues for the format? Melanie Goodfellow investigates
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DreamWorks Animation unveils restructure
The embattled studio is letting go of marketing chief Dawn Taubin, vice-chair Lew Coleman and COO Mark Zoradi as it plans to lay off approximately 500 people and cut the feature slate to two films a year.
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Features
Tiger directors: Kyros Papavassiliou, Impressions Of A Drowned Man
The Greek-Cyrriot director talks about his poetic meditation on the nature of time and identity, which receives its world premiere in competition at International Film Festival Rotterdam (IFFR).
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Tiger directors: Lisa Takeba, Haruko’s Paranormal Laboratory
The Japanese director talks about her second feature, which receives its world premiere in competition at International Film Festival Rotterdam (IFFR).