All Q&A articles – Page 20
-
NewsAntonio Monda on his first year as Rome artistic director
New festival artistic director talks strengthening the programme, budget cuts and his desire to get Steven Spielberg to Rome.
-
FeaturesMichael Kutza, Chicago International Film Festival
The festival founder and artistic director talks to Jeremy Berkowitz about how he gave up medical studios to pursue his love of film and set up the longest running competitive festival in the US.
-
FeaturesJonas Cuaron talks the highs and lows of making 'Desierto'
The Mexican writer-director on making his ‘desert version’ of Gravity.
-
FeaturesIan Harnarine, 'Doubles With Slight Pepper'
The Brooklyn-based, Canadian filmmaker son to Trinidadian immigrants was in Port Of Spain last month to pitch his drama at the trinidad + tobago film festival’s Caribbean Film Mart.
-
FeaturesQ&A: Matthew Liu, Heyi Pictures
Matthew Liu, president of Youku Tudou’s film arm Heyi Pictures, talks about the company’s international expansion plans and the convergence of the film and internet industries in China.
-
FeaturesQ&A: Nabil Ayouch, director of 'Much Loved'
Nabil Ayouch talks about his latest film, which has attracted controversy in its native Morocco.
-
Features'Suffragette' director Sarah Gavron on women behind the camera
SCREEN SUBSCRIBERS: Sarah Gavron on her BFI London Film Festival opener Suffragette and the challenges of being a female film-maker.
-
FeaturesBusan: Larry Yang talks 'Mountain Cry'
Larry Yang, director of Busan closing film Mountain Cry, explains how he adapted a rural Chinese story set in the 1980s for contemporary audiences in China and overseas.
-
FeaturesJoe Menendez, 'Ladrones'
A film about opportunity seems fitting for director Joe Menendez and writer Jon Molerio, who have finally collaborated on their first project 16 years after a fateful encounter.
-
FeaturesTom Shu-yu Lin talks 'Zinnia Flower'
Taiwanese filmmaker Tom Shu-yu Lin explains how making drama Zinnia Flower became a cathartic part of the grieving process after losing his wife.
-
FeaturesBusan: O Muel opens 'Eyelids'
Korean director O Muel is back in Busan with the world premiere of Eyelids in the Korean Cinema Today – Vision section.
-
FeaturesBusan: Zhang Yang takes 'Paths Of The Soul'
The latest feature from Beijing-based filmmaker Zhang Yang is the ultimate road movie – following a group of Tibetan Buddhists as they make a 2,000km pilgrimage to and from Lhasa, prostrating themselves every few metres of the way.
-
FeaturesBusan: Eddie Cahyono, Ifa Isfansyah enter 'The Wasted Land'
Indonesian filmmakers Eddie Cahyono and Ifa Isfansyah talk about their APM project The Wasted Land and the thriving indie filmmaking scene in Jogjakarta.
-
Features'Ilo Ilo' director Anthony Chen talks Asian Film Academy and challenges
Singaporean filmmaker Anthony Chen is in Busan this year at the Asian Film Academy (AFA) as directing mentor.
-
FeaturesEric Khoo talks 'In the Room', '7 Letters'
Singaporean director Eric Khoo has two films in Busan’s A Window On Asian Cinema section.
-
FeaturesMozez Singh talks Busan opener 'Zubaan'
Nine years in the making, Mozez Singh’s feature directorial debut is the story of a young man who escapes his humble roots in Punjab to become a big shot in the corporate world in both Delhi and Dubai.
-
FeaturesJonathan Wolf, AFM
The managing director of the American Film Market talks to Jeremy Kay about new initiatives for AFM 2015 and why next year’s event will have a heavier focus on screenings.
-
FeaturesAsha Lovelace, 'The Dragon Can’t Dance'
The Trinidadian filmmaker is at the Trinidad + Tobago film festival’s Caribbean Film Mart pitching her second feature, an adaptation of her father Earl Lovelace’s acclaimed novel of the same name.
-
FeaturesStorm Saulter, 'Sprinter'
The Jamaican director burst on to the scene with his acclaimed 2010 crime drama Better Mus’ Come and attends the Caribbean Film Mart at the trinidad + tobago film festival to pitch his second feature.
-
FeaturesMaking 'Bazodee'
The recent world premiere at the trinidad + tobago film festival of the musical romance culminates a nine-year journey by Claire Ince.