All Q&A articles – Page 35
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FeaturesQ&A: Vermont College Of Fine Arts
Earlier this year the Vermont College Of Fine Arts announced the appointment of a host of new faculty members to its new Masters In Film programme. The inaugural class at the school’s Montpelier campus will take place this autumn. Tyler Pukatch pays attention.
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FeaturesMandy Jacobson, Plot for Peace
Mandy Jacobson talks about her South African documentary Plot for Peace.
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FeaturesDamian Lewis: from Homeland to Highlands
Damian Lewis took a break from Homeland to come to Cannes to promote The Silent Storm, in which he will star opposite Andrea Riseborough.
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FeaturesMikkel Norgaard, The Keeper Of Lost Causes
A new Scandinavian thriller franchise kicks off with The Keeper Of Lost Causes. Wendy Mitchell talks to the director, Mikkel Norgaard, about bringing a cinematic feel and dark humour to the project to move away from the region’s TV hits
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FeaturesGabriel Arcand, Le Démantlement
Melanie Goodfellow talks to Gabriel Arcand about his role in Sébastien Pilote’s Le Démantlement.
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FeaturesRuairi Robinson, The Last Days On Mars
Irish film-maker Ruairi Robinson talks to Leon Forde about his feature debut The Last Days On Mars, which screened in Cannes’ Directors Fortnight section.
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FeaturesMarine Vacth, Young & Beautiful
The 23-year-old model turned actress spoke to Andreas Wiseman about her challenging role in Francois Ozon’s Young & Beautiful (Jeune et Jolie).
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FeaturesErik Skjoldbjærg, Pioneer
Erik Skjoldbjærg shot his 1997 thriller Insomnia in the midnight sun above the Arctic Circle. Now, the Norwegian is going deep underwater in his new thriller Pioneer [pictured], sold by Trustnordisk and now in post-production.
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FeaturesJames Franco, As I Lay Dying
Andreas Wiseman talks to James Franco about his latest feature As I Lay Dying, which premiered in Cannes.
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FeaturesYann Gonzalez, You And The Night
French filmmaker Yann Gonzalez discusses directing Eric Cantona as The Stud in his debut feature You and The Night about a failed orgy which premieres in Cannes Critics’ Week.
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FeaturesCol Needham, IMDb
IMDb’s founder talks about his love for movies and the company’s huge growth over the years.
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FeaturesPaul Schrader and Bret Easton Ellis, The Canyons
It began with a lucky calamity. Paul Schrader and Bret Easton Ellis originally came together to work on Bait, a movie backed by Spanish money that was set up at Lionsgate. When that fell apart, the two creative forces got talking about making something else.
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FeaturesHirokazu Kore-eda, Like Father, Like Son
Jean Noh talks to Hirokazu Kore-eda about his latest feature, which premieres in Competition at Cannes.
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FeaturesPaul Wright, For Those In Peril
Wendy Mitchell talks to Paul Wright about his debut feature For Those In Peril, which premieres in Critics’ Week.
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FeaturesPulse Films: Hits factory
UK production and distribution outfit Pulse Films is growing its production output at an impressive rate.
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FeaturesQ&A: David Arnold, composer
At Sundance London, James Bond composer David Arnold talked about his big break, discovering music for Independence Day in his dreams and if he’ll return to the 007 franchise.
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FeaturesQ&A: Jeff Nichols, director, Mud
Following a screening of Mud at Sundance London, director Jeff Nichols talked deleted scenes, inspirations, that ending and how he is turning to sci-fi for his next film.
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FeaturesSteph Green, director, Run & Jump
Leon Forde talks to the Oscar-nominated director about her feature debut Run & Jump, which world premieres at the Tribeca Film Festival
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FeaturesLuc Déry and Kim McCraw, micro_scope
The founders of Montreal’s micro_scope tell Melanie Goodfellow how their production outfit draws on the city’s rich talent base to achieve international reach
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FeaturesThierry Fremaux, Cannes Film Festival
Cannes Film Festival artistic director Thierry Fremaux announced the Official Selection for the 66th edition on Thursday (April 18). He talked to ScreenDaily afterwards about the selection, why he doesn’t think micro-budget filmmaking is the way forward and Lars von Trier.