All Q&A articles – Page 40
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Features
Paul Thomas Anderson on making The Master: 'Scientology was the least of our problems'
Paul Thomas Anderson talks about the inspirations for the film, Joaquin Phoenix’s immersive acting style, shooting large format, and now adapting Thomas Pynchon’s Inherent Vice.
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Logan Mulvey, GoDigital
The CEO of digital distributor GoDigital talks to Screen about striking deals with film-makers to make the fast-evolving online space pay.
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Mira Nair talks The Reluctant Fundamentalist
The filmmaker tells Screen about the pressure of opening Venice, wanting to tell a story of contemporary Pakistan and America, and preparing Riz Ahmed (and his beard).
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Femi Oguns
Screen talks to the founder and CEO of Identity Drama School, Britain’s first black drama school and leading talent agency, IAG.
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Kevin and Matthew McManus
The writing/directing sibling duo talk to Screen about the making of their debut feature Funeral Kings, which received its international premiere at the Fantasia International Film Festival.
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Malik Bendjelloul
The Swedish director talks to Screen about Searching For Sugar Man, set for release in the UK on July 26 after gaining critical acclaim and awards on the festival circuit.
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Florian Flicker
Screen talks to Austrian director Florian Flicker, whose fifth feature Crossing Boundaries world premieres at the Sarajevo Film festival this week.
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Karlovy Vary Q&A: Robert Vinovskis, People Out There
Set to premiere in the East of the West competition, Aik Karapetjans’ People Out There is an intense Latvian film about a young man who dreams of a better life despite his difficult circumstances.
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Karlovy Vary Q&A: Toomas Hussar, Mushrooming
Estonian film Mushrooming is an intriguing mixture of satire and drama as a politician, in the midst of being accused of expense fraud, finds himself lost in the woods.
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Peter Strickland
Screen talks to British director Peter Strickland, who is in Edinburgh this week for the world premiere of his second feature Berberian Sound Studio.
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Andrew Cripps and Richard Gelfond, IMAX
Imax CEO Richard Gelfond and new EMEA president Andrew Cripps talk to Wendy Mitchell about their blockbuster summer ahead and the international territories that could see the most growth.
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Karlovy Vary Q&A: Marek Najbrt (Director), Polski Film
The film, exploring the boundaries of reality and fiction, offers a different style than other Czech productions.
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Karlovy Vary Q&A: Jan Jakub Kolski, To Kill A Beaver
Polish Film To Kill A Beaver is an intense and raw tale of a soldier undertaking a mysterious mission while holed up in an abandoned farm. There he has a torrid encounter with a young girl and it soon becomes apparent all is not what it seems.
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Karlovy Vary Q&A: Alicia Cano – El Bella Vista
Receiving its world premiere in the Karlovy Vary Documentary Competition section, El Bella Vista is a quirky yet moving documentary about Uruguayan brothel El Bella Vista, its transvestite inhabitants and the small village community that wants to remove them and change the brothel into a Catholic School.
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Jacqueline Hurt, Olswang
Jacqueline Hurt talks about the role of the lawyer in film financing deals, the rise in the number of sales companies and the film policy review.
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Paul Haggis
Screen talks to Paul Haggis about his new feature, Third Person, which is being backed by Belgian outfit Corsan.
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José Luis Rebordinos, San Sebastian
The director of the San Sebastian International Film Festival talks about how the festival is adapting to a tough climate in Spain, including new offerings such as the European Latin American Forum.
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Features
Tom DeSanto
A key producer on the Transformers and X-Men franchises, Tom DeSanto is now developing Gods, a 3D trilogy based on a Chinese classic, with Beijing-based Yi Shang Media.
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Features
Kate Sinclair
Former UKFC and Film4 book scout Kate Sinclair discusses uncovering gems Salmon Fishing in the Yemen and Q and A and her current slate as a producer, which includes a comedy series from writers Kevin Cecil and Andy Riley and an adaptation of a Giles Foden novel about the D-Day ...
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Features
Susana de la Sierra
The head of Spain’s ICAA talks about the difficult challenges facing the Spanish film world.