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Perhaps the demand for originality will coincide with the deep sense of political dissatisfaction to produce something genuinely interesting that will perform in the multiplexes based on its merits instead of star or director power.  More likely though, the so-called shift in favour of originality merely reflects the law of diminishing returns and sheer mind blowing boredom eventually kicking in following 30 years of lazy repetition rather than a more discerning audience.  Expect more mainstream nonsense of a slightly different character replacing old nonsense with the only exceptions coming from those films that also perform in the independents.