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‘The Naked Gun’ review: Liam Neeson and Pamela Anderson headline pleasingly reverential comedy sequel
Seth MacFarlane produces this latest instalment of the hit cop-comedy franchise
‘Mother Of Flies’ review: Fantasia’s Cheval Noir winner is a visceral, thoughtful folk horror
The latest from cult filmmakers the Adams Family is heading to Shudder
‘The Woman’ review: South Korean filmmaker Hwang Wook delivers ponderous psychological thriller
Follow up to director’s Fantasia 2024 prizewinner ’Mash Ville’ is overstuffed murder mystery
‘Hellcat’ review: Claustrophobic US horror sees woman trapped in Airstream trailer
Editor-turned-director Brock Bodell’s debut features a compelling performance from Dakota Gorman
‘I Live Here Now’ review: Julie Pacino’s vividly realised debut plays out in remote California motel
The director’s highly sylised feature blends elements of Argento, Lynch and ‘Alice In Wonderland’
‘Omniscient Reader: The Prophecy’ review: Ahn Hyo-seop heads adaptation of South Korean web comic sensation
Kim Byung-woo’s uneven creature feature also stars K-pop singers Nana and Jisoo
‘The Fantastic Four: First Steps’ review: Pedro Pascal and Vanessa Kirby head underwhelming Marvel superhero reboot
Ebon Moss-Bachrach and Joseph Quinn also star for director Matt Shakman
‘The Well’ review: Muted Canadian eco-thriller finds humanity on the brink of collapse
Oscar-nominated documentarian Hubert Davis makes the move into fiction with this sombre drama
‘Terrestrial’ review: A Hollywood success story hides a secret in dark US comedy
Latest from ’Hot Tub Time Machine’ director Steve Pink premieres at Fantasia
‘Cielo’ review: A young girl embarks on a quest across Bolivia in this uncertain fable
Alberto Sciamma’s visually inventive feature comes to Fantasia after multiple wins at Fantasporto
‘Adult Children’ review: Galway prizewinner is smart, breezy US coming-of-age drama
Film Fleadh’s best international independent feature is reminiscent of the work of Lynn Shelton
‘Friendship’ review: Tim Robinson and Paul Rudd go head-to-head in bromance gone sour
Cringe comedy is first major feature role for Robinson, creator and star of Netflix series ‘I Think You Should Leave’
‘I Know What You Did Last Summer’ review: Uninspiring sequel to ’90s slasher lacks a killer hook
Original stars Freddie Prinze Jr and Jennifer Love Hewitt return for another round of murder
‘Fuck The Polis’ review: FIDMarseille winner is a personal, lyrical portrait of modern Greece
Rita Azevedo Gomes’s documentary won the festival’s international competition grand prix
’Better Go Mad In The Wild’: Karlovy Vary Crystal Globe winner follows Czech twins living off-grid
Miro Remo’s documentary pays tribute to idosyncratic brothers Frantisek and Ondrej Klisik
‘Horseshoe’ review: Four estranged siblings confront their dead father in crowdpleasing Irish debut
Edwin Mullane and Adam O’Keeffe’s well-balanced debut premieres in Galway
’Gerry Adams: A Ballymurphy Man’ review: Absorbing portrait of the controversial Irish politician
Trisha Ziff’s documentary blends extensive interviews with a wealth of archive footage
‘Girls & Boys’ review: A Dublin meet-cute takes a darker turn in promising Irish debut
Writer/director Donncha Gilmore explores the attraction between two very different Trinity College students
‘The Negotiator’ review: Portrait of US senator George J Mitchell, Good Friday Agreement architect
Affectionate, limited documentary is directed by ‘Kneecap’ producer Trevor Birney
‘Don’t Call Me Mama’ review: Complex Norwegian debut follows an ill-fated small town affair
A wealthy socialite seduces a teenage asylum seeker in elegantly uncomfortable Karlovy Vary competition title
‘Bidad’ review: A female singer fights to be heard in potent Tehran-set drama
Iranian filmmaker Soheil Beiraghi’s fourth feature premieres in Karlovy Vary competition
‘Baite’ review: Conventional murder mystery unfolds in 1970s Ireland
Moe Dunford stars in Ruan Magan’s adaptation of Sheena Lambert novel
‘Broken Voices’ review: Powerful Czech choir drama is loosely based on real-life abuse scandal
Ondrej Provaznik’s 1990s-set feature explores the dark underbelly of an elite all-girls choir
‘Superman’ review: James Gunn puts his own stamp on the iconic Man of Steel
David Corenswet’s more introspective Superman kicks off a new chapter of the DC Universe.
‘The Visitor’ review: Lithuanian debut takes a fresh approach to the issue of migration
A Lithuanian ex-pat struggles to return home in Vytautas Katkus’s impressive move to features
‘The Luminous Life’ review: A Lisbon spring brings new opportunities for a troubled 20-something
The debut feature from Joao Rosas is a continuation of three previous short films
‘Re-creation’ review: Vicky Krieps stars in reimagining of Sophie Toscan du Plantier murder trial
Unwieldy feature presents a fictional Irish trial for the real-life 1996 murder of the French film producer
‘Sand City’ review: Two disparate lives are linked by sand in lyrical Bangladeshi feature
Dhaka-set drama is debut feature of short filmmaker Mahde Hasan
‘Out Of Love’ review: Camille Cottin stars as a French woman flung into motherhood
Nathan Ambrosioni’s intimate drama premieres in Karlovy Vary
‘Dragonfly’ review: Andrea Riseborough and Brenda Blethyn headline potent Paul Andrew Williams drama
Williams returns to the big screen with unnerving study of a community in crisis
‘A Quiet Love’ review: Sensitive documentary follows three deaf Irish couples
Film is first Irish feature to be told entirely in Irish Sign Language
‘Brick’ review: A German couple hits the wall in satisfying Netflix thriller
Philip Koch’s sci-fi drama bows on the streamer following its Munich premiere
‘I’m Not Stiller’ review: Paula Beer and Albrecht Schuch star in 1950s Zurich-set thriller
Stefan Haupt’s adaptation of Max Frisch’s novel about identity premieres in Munich
‘All That’s Due’ review: A German family comes undone in Franz Müller’s strained domestic drama
The Munich premiere is a sequel to Müller’s 2009 feature ‘Wallace Line’
‘Jurassic World Rebirth’ review: Scarlett Johansson and Mahershala Ali star in toothless addition to franchise
Gareth Edwards takes the directorial reins for the seventh film in Universal’s dinosaur series
‘Karla’ review: A young girl seeks justice in delicately calibrated German debut
Rainer Bock stars in Christina Tournatzés’ 1960s-set feature
‘The Last Spy’ review: CIA spymaster Peter Sichel shares his eye-opening life story
Katharina Otto-Bernstein’s extensive documentary follows Sichel’s involvement in key moments of 20th-century history
‘M3GAN 2.0’ review: The killer doll meets her match in self-aware Universal sequel
Returning director Gerard Johnstone reboots the formula of his hugely successful 2023 original
‘Hi-Five’ review: ‘Burning’ star Yoo Ah-in joins strong cast for South Korean superhero movie
Director Kang Hyoung-chul’s fantasy adventure sees ordinary Koreans develop superpowers after organ transplants
‘Bright Future’ review: Romanian documentary revisits 1989 Pyongyang Festival of Youth and Students
Andra MacMasters’ archival essay named best debut feature in Transilvania’s Romanian Days
‘Saturn’ review’: Transilvania non-fiction winner paints complex portrait of fractured Spanish family
Director Daniel Tornero turns the camera inwards for his What’s Up, Doc? winning debut
‘28 Years Later’ review: Director Danny Boyle returns to lead horror franchise into new territory
Aaron Taylor-Johnson, Ralph Fiennes and Jodie Comer star in the first of a planned new trilogy of films
‘Elio’ review: Pixar’s interstellar animation fails to hit the studio’s previous heights
Zoe Saldaña lends her voice to this story of a young boy abducted by aliens
‘F1’ review: Brad Pitt takes the wheel in Joseph Kosinski’s immersive racing drama
Damson Idris also stars in the director’s high-octane follow-up to ’Top Gun: Maverick’
‘Endless Cookie’ review: Annecy’s Contrechamp winner is an inventive portrait of Canadian half-brothers
Seth Scriver and Peter Scriver’s animated documentary is a “picture infused with love”
