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‘True Love, For Once In My Life’ review: Fruit Chan produces smartphone-shot Hong Kong drama
Delon Siu Koon-ho’s debut is a sensitive tale of infidelity
‘That Summer In Paris’ review: Tender debut plays out as the city hosts the 2024 Olympics
Valentine Cadic’s drama premieres in Berlin’s Perspectives
‘Long Day’s Journey Into Night’ review: Jessica Lange and Ed Harris power delayed adaptation
Theatre director Jonathan Kent’s feature debut premieres at Glasgow and Dublin
‘Hill’ review: Intimate portrait of F1 driver Damon Hill
Alex Holmes’ access-all-areas documentary for Sky premieres at Glasgow
‘The Botanist’ review: Award-winning Chinese drama finds magic in nature
Promising debut from Jing Yi takes the top Generation youth prize at Berlin
‘Last Breath’ review: Woody Harrelson dives into real-life survival story
Alex Parkinson turns his 2019 documentary into a straightforward, appealing thriller
‘Four Letters Of Love’ review: Irish eyes a’romancing in heartfelt adaptation
Pierce Brosnan, Gabriel Byrne and Helena Bonham Carter headline
‘Tornado’ review: Tim Roth, Jack Lowden and Kôki do battle in 18th century Britain
John Maclean’s Western/samurai hybrid thriller opens Glasgow Film Festival
’Beat The Lotto’: Gambling hijinks in entertaining Irish doc
Led by a mathemattician, a numbers syndicate attempts to game the Irish Lottery in 1992
‘Holding Liat’ review: Israeli family suffers their own hostage crisis
Berlin doc winner confronts the aftermath of the Hamas attacks of October 7
’Aontas’ review: Irish-language crime puzzle
Carrie Crowley and Brid Brennan anchor Damian McCann’s twisting noir thriller
‘Ready Or Not’ review: Irish rites-of-passage debut is lively and vital
The long days of summer turn increasingly dark for a group of teen girls in late ’90s Dublin
‘The Safe House’ review: Cluttered 1960s Paris-set chamber piece
Lionel Baier makes his first appearance in Berlin competition
‘What Does That Nature Say To You’ review: Long chats and fast zooms with Hong Sangsoo
The 33rd feature from South Korea’s profilic auteur is a little unfocused
‘Ancestral Visions Of The Future’ review: Intricate visual poem from exiled Lesotho filmmaker
Lemohang Mosese follows up his 2019 arthouse hit ’This Is Not A Burial’
‘Timestamp’ review: Doc is a powerful, fractured portrait of school days in Ukraine
Kateryna Gornostai returns to Berlin with this Competition title
‘Kontinental ’25’ review: Radu Jude returns after winning the Golden Bear
Berlin Competition title is a satirical state-of-the-world treatise
‘After This Death’ review: Niche US-set mystery is an 'arch, implausible affair'
Argentianian filmmaker Lucio Castro’s second feature bows as a Berlinale Special
‘Yunan’ review: Enigmatic second film in Ameer Fakher Eldin’s ‘Homeland’ trilogy
German islands-set drama plays in Berlin Competition
‘1001 Frames’ review: Experimental thriller shot clandestinely in Iran
Mehrnoush Alia uses the legend of Scheherazade to explore male power and manipulation
‘Paul’ review: Denis Côté doc explores the surprising benefits of submissive cleaning
Canadian film-maker returns to Berlin with an intriguing character study
‘Dreams (Sex Love)’ review: Dag Johan Haugerud concludes his trilogy at Berlin
Sensitive coming-of-age story is a wisful end to the Norwegian auteur’s work
‘Mother’s Baby’ review: Postpartum stress under the lens in meticulous Berlin title
Marie Leuenberger gives a terrific performance in a drama that leans into horror
‘Honey Bunch’ review: Bold Canadian period genre from the makers of ’Violation’
Madeleine Sims-Fewer and Dusty Mancinelli pay homage to the past
‘Two Times João Liberada’ review: Portuguese LGBTQ+ title is a niche debut
Paula Tomás Marques uses a fictional history to shed light on modern filmmaking conventions
‘Lesbian Space Princess’ review: Queer Australian animation could be a crowdpleaser
Emma Hough Hobbs and Leela Varghese’s debut is set in a gaylaxy far, far away
‘Blue Moon’ review: Ethan Hawke sings in Richard Linklater drama
Andrew Scott, Margaret Qualley co-star in a poignant portrait of Broadway lyricist Lorenz Hart
‘The Settlement’ review: Egyptian debut is a bleak and dispiriting revenge thriller
Mohamed Rashad’s Perspectives title has a ’grim inevitability’
‘Dreamers’ review: Tender queer migrant drama from Britain
Nigeria-born Joy Gharoro-Akpojotor draws on her own experiences
‘The Message’ review: Low-key black-and-white pleasure from Argentina’s Iván Fund
Berlin Competition title is a road trip through the magic of childhood
‘Late Shift’ review: Leonie Benesch excels as a Swiss nurse under pressure
Petra Volpe’s tense hospital drama plays as a Berlin Special Gala
‘What Marielle Knows’ review: Stylish, sly German comedy starring Julia Jentsch
Sly laughs all round as a teenager gets the power to read her parents’ minds in Berlin Competition title
’We Believe You’ review: Tense Belgian family custody drama is a knockout
Miriam Akheddiou is at the heart of this debut by Charlotte Devillers and Arnaud Dufeys
‘Cleaner’ review: Daisy Ridley and Clive Owen lead wobbly skyscraper thriller
Comparisons to ‘Die Hard’ don’t flatter Martin Campbell’s film
‘Girls On Wire’ review: Implausible action drama from China’s Vivian Qu
Berlin Competition entry can’t make up its mind whether it’s a crime thriller or a domestic drama.
‘Hysteria’ review: Tense German satirical thriller eyes breakout status
Mehmet Akif Büyükatalay follows up his debut hit ‘Oray’
‘The Longing’ review: Toshizo Fujiwara directs and stars in sweet Panorama drama
An Osaka pancake chef helps an ex-con out
‘All I Had Was Nothingness’ review: A powerful ‘Shoah’ through the eyes of its maker
40 years later, Guillame Ribot pairs unused footage with Claude Lanzmann’s words to show how the film was made
‘Reflection In A Dead Diamond’ review: Fast and frenetic movie geek nostalgia
Brussels-based Hélène Cattet and Bruno Forzani premiere their fourth film in Berlin competition
‘Islands’ review: Sam Riley, Stacy Martin scorch in Canary Islands suspense
Fuerteventura-set noir is the latest from Germany’s Jan-Ole Gerster
‘How To Be Normal’ review: Peppy debut from Austria tackles mental illness
Star Luisa-Celine Gaffron shines in Perspectives premiere
‘The Old Woman With The Knife’ review: Bloody Korean actioner centres around an older assassin
Hyeyoung Lee’s fists of fury fuel Berlin Special Gala
‘The Ice Tower’ review: Marion Cotillard stars in Lucile Hadzihalilovic’s Snow Queen re-take
Poised drama plays in Berlin’s Competition
‘Punching The World’ review: A fresh take on German radicalisation
Constanze Klaue’s Perspectives title is set in a small East German town post-reunification
‘Olmo’ review: Fernando Eimbcke delivers Plan B’s first micro-budget feature
Warm-hearted drama from the director of ‘Duck Season’ is set in New Mexico in the 1970s
