All Reviews articles – Page 116
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Reviews
‘Bergman Island’: Cannes Review
Mia Hansen-Løve takes Vicky Krieps and Tim Roth on a pilgrimage to Sweden
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Reviews
‘Evolution’: Cannes Review
An intense, stylised rendition of a Holocaust-themed stage play by Kata Weber and Kornel Mundruczo
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Reviews
‘Babi Yar. Context’: Cannes Review
Sergei Loznitza turns his gaze to wartime Ukraine, and the 1941 massacre of Jews outsite Kiev, in this powerful documentary
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Reviews
‘Three Floors’: Cannes Review
Nanni Moretti returns to Cannes with an adaptation of an Israeli novel transposed to an affluent Rome suburb
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Reviews
‘Drive My Car’: Cannes Review
Japanese filmmaker Ryusuke Hamaguchi effectively adapts a short story by Haruki Murakami
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Reviews
‘Zero Fucks Given’: Cannes Review
Adele Exarchopoulos stars as an endlessly on-the-move flight attendant in this Critics Week film
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Reviews
‘Intregalde’: Cannes Review
Romania’s new wave director Radu Muntean returns with a cast of characters who can’t see the woods for the trees
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Reviews
‘Peaceful’: Cannes Review
Emmanuelle Bercot returns to Cannes with a tough cancer drama starring Catherine Deneuve and Benoit Magimel
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Reviews
‘Returning To Reims’: Cannes Review
Jan-Gabriel Pierot uses archive footage to paints his portrait of French working class life over 70 years
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Reviews
‘The Innocents’: Cannes Review
Eskil Vogt constructs a whole new playground in compelling Un Certain Regard drama
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Reviews
‘Supremes’: Cannes Review
Biopic of French 80s rappers Supreme NTM plays a lively midnight section at Cannes
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Reviews
‘Ali & Ava’: Cannes Review
Clio Barnard returns to Bradford with a love story set in England’s Northern city
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Reviews
‘Bloody Oranges’: Cannes Review
Jean-Christophe Meurisse pushes buttons with his provocative Cannes Midnight entry
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Reviews
‘Flag Day’: Cannes Review
Sean Penn directs his daughter Dylan - and co-stars as her father - in this Cannes Competition title
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Reviews
‘Compartment No. 6’: Cannes Review
Unlikely travelling companions bond on a train ride from Moscow to Murmansk in Juho Kuosmanen’s Competition title
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Reviews
‘Let It Be Morning’: Cannes Review
An Israeli Arab visiting his hometown finds himself under military seige
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Reviews
‘Anais In Love’: Cannes Review
Charline Bourgeois-Tacquet’s elegant French romance makes its debut in Critics Week
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Reviews
‘Good Mother’: Cannes Review
Hafsia Hersi shows her mettle in her second film, set in a Marseilles housing estate
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Reviews
’Unclenching The Fists’: Cannes Review
Russian filmmaker Kira Kovalenko makes her debut with this intense, Un Certain Regard-winning family drama
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Reviews
‘Small Body’: Cannes Review
A young woman attempts to save the soul of her stillborn child in 1900s Italy