All Reviews articles – Page 117
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Reviews‘Hit The Road’: Cannes Review
Panah Panahi raises the roof with his Directors’ Fortnight triumph
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Reviews‘The Divide’: Cannes Review
Catherine Corsini’s Competition entry is set in the emergency of a Paris hospital during the fallout from a gilets jaune demonstration
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Reviews‘Mothering Sunday’: Cannes Review
Odessa Young leads a strong British cast in Eva Husson’s adpatation of Graham Swift’s nove
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Reviews‘Benedetta’: Cannes Review
Paul Verhoeven returns to Cannes Competition with this unsubtle, provocative tale of a 17th-century nun.
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Reviews‘A Radiant Girl’: Cannes Review
Sandrine Kiberlain directs this French Occupation drama which plays out in Cannes Critics’ Week
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Reviews‘House Arrest’: Cannes Review
Aleksey German Jr arrives at Cannes with the story of a University professor confined to campus
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Reviews‘Where Is Anne Frank’: Cannes Review
Ari Folman sets his animation a year in the future in this ‘bold attempt to combine family entertainment and politics’
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Reviews‘The Employer And The Employee’: Cannes Review
Uruguayan writer/director Manuel Nieto Zas debuts his farm-set drama in Directors’ Fortnight
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Reviews‘Softie’: Cannes Review
A new teacher brings hope for a sensitive 10-year-old living in northeastern France’s projects
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Reviews‘Magnetic Beats’: Cannes Review
1980s pirate radio lifts two brothers - and audiences - into a new world in this Directors’ Fortnight debut from Brittany
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Reviews‘Great Freedom’: Cannes Review
Sebastian Meise’s drama carefully tracks the persecution of homosexuality in Germany over the decades
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Reviews‘The Worst Person In The World’: Cannes Review
Joachim Trier throws caution to the wind in this Palme D’Or contender, the final part of his Oslo trilogy
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Reviews‘Cow’: Cannes Review
Andrea Arnold chews the cud with Luma, a dairy cow, in this intriguing documentary
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Reviews‘Stillwater’: Cannes Review
Matt Damon teams up with Camille Cottin and director Tom McCarthy for this story about an Oklahoma oil rigger who goes to France in search of redemption
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Reviews‘After Yang’: Cannes Review
Kogonada follows up Colombus with a beautifully-executed tale of AI and identity starring Colin Farrell
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Reviews‘Playground’: Cannes Review
Life in a French primary school is a trauma to be endured in Laura Wandel’s gut-punch debut
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Reviews‘Lingui: The Sacred Bonds’: Cannes Review
A single mother struggles to protect her pregnant daugter in Mahamat-Saleh Haroun’s Cannes Competition title
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Reviews‘The Hill Where Lionesses Roar’: Cannes Review
French actress Luana Bajrami makes her directorial debut with this sympathetic drama