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All Reviews articles – Page 127
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Reviews‘Ali & Ava’: Cannes Review
Clio Barnard returns to Bradford with a love story set in England’s Northern city
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Reviews‘Bloody Oranges’: Cannes Review
Jean-Christophe Meurisse pushes buttons with his provocative Cannes Midnight entry
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Reviews‘Flag Day’: Cannes Review
Sean Penn directs his daughter Dylan - and co-stars as her father - in this Cannes Competition title
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Reviews‘Compartment No. 6’: Cannes Review
Unlikely travelling companions bond on a train ride from Moscow to Murmansk in Juho Kuosmanen’s Competition title
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Reviews‘Let It Be Morning’: Cannes Review
An Israeli Arab visiting his hometown finds himself under military seige
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Reviews‘Anais In Love’: Cannes Review
Charline Bourgeois-Tacquet’s elegant French romance makes its debut in Critics Week
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Reviews‘Good Mother’: Cannes Review
Hafsia Hersi shows her mettle in her second film, set in a Marseilles housing estate
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Reviews’Unclenching The Fists’: Cannes Review
Russian filmmaker Kira Kovalenko makes her debut with this intense, Un Certain Regard-winning family drama
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Reviews‘Small Body’: Cannes Review
A young woman attempts to save the soul of her stillborn child in 1900s Italy
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Reviews‘Hit The Road’: Cannes Review
Panah Panahi raises the roof with his Directors’ Fortnight triumph
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Reviews‘The Divide’: Cannes Review
Catherine Corsini’s Competition entry is set in the emergency of a Paris hospital during the fallout from a gilets jaune demonstration
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Reviews‘Mothering Sunday’: Cannes Review
Odessa Young leads a strong British cast in Eva Husson’s adpatation of Graham Swift’s nove
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Reviews‘Benedetta’: Cannes Review
Paul Verhoeven returns to Cannes Competition with this unsubtle, provocative tale of a 17th-century nun.
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Reviews‘A Radiant Girl’: Cannes Review
Sandrine Kiberlain directs this French Occupation drama which plays out in Cannes Critics’ Week
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Reviews‘House Arrest’: Cannes Review
Aleksey German Jr arrives at Cannes with the story of a University professor confined to campus
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Reviews‘Where Is Anne Frank’: Cannes Review
Ari Folman sets his animation a year in the future in this ‘bold attempt to combine family entertainment and politics’
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Reviews‘The Employer And The Employee’: Cannes Review
Uruguayan writer/director Manuel Nieto Zas debuts his farm-set drama in Directors’ Fortnight
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Reviews‘Softie’: Cannes Review
A new teacher brings hope for a sensitive 10-year-old living in northeastern France’s projects
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Reviews‘Magnetic Beats’: Cannes Review
1980s pirate radio lifts two brothers - and audiences - into a new world in this Directors’ Fortnight debut from Brittany
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Reviews‘Great Freedom’: Cannes Review
Sebastian Meise’s drama carefully tracks the persecution of homosexuality in Germany over the decades