All Reviews articles – Page 130
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Reviews‘Archipelago’: Rotterdam Review
An unusual mostly-animated trip through the delta of the Saint Lawrence River in Quebec
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Reviews‘Captains Of Zaatari’: Sundance Review
In a refugee camp in Jordan, football offers hope to two young boys
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Reviews‘Gritt’: Rotterdam Review
A performance artist runs out of options in this defiant Norwegian debut
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Reviews‘Madalena’: Rotterdam Review
Formally bold Brazilian drama centred around the death of a rural trans woman
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Reviews‘Landscapes Of Resistance’: Rotterdam Review
Powerful testament to the human spirit competes in the Tiger competition
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Reviews‘Hive’: Sundance Review
Kosovo-set winner of Sundance’s World Dramatic section looks set to be a firm audience favourite as well
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Reviews‘Aurora’: Rotterdam Review
Paz Fabrega’s second feature watches the shifting sands between two women and one ambivalent pregnancy
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Reviews‘The Dog Who Wouldn’t Be Quiet’: Rotterdam Review
A comet collides with Earth; what happens next is surprisingly low-key, but presciently pleasing all the same
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Reviews‘Pleasure’: Sundance Review
Rigorously-researched drama about a Swedish girl who wants to make it big in LA’s porn business
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Reviews‘The Cemil Show’: Rotterdam Review
A vividy-styled debut from Turkey plays in Rotterdam’s ’Big Screen’ competition
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Reviews‘Mayday’: Rotterdam Review
Feisty feminists, militant weirdness as director Karen Cinorre makes her debut with Grace von Patten and Mia Goth
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Reviews‘Judas And The Black Messiah’: Review
The short life and explosive times of Black Panther Fred Hampton
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Reviews‘Riders Of Justice’: Rotterdam Review
‘Men & Chicken’ director Anders Thomas Jensen delivers absurdist comedy with a very tough edge for Rotterdam’s opening night
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Reviews‘Prisoners Of The Ghostland’: Sundance review
Will Sion Sono and Nicolas Cage prove to be the pulpy dream team that genre fans have been anticipating?
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Reviews‘First Date’: Sundance Review
Things don’t go entirely to plan when Mike buys a beaten-up car to impress girl-next-door Kelsey
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Reviews‘Jockey’: Sundance Review
An ageing jockey is forced to acknowledge some truths in Clint Bentley’s modest debut