All Reviews articles – Page 152
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Reviews
‘The Mandalorian’: TV Review
Disney’s bounty hunter finally makes his way into European homes
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Reviews
‘Maxxx’: TV Review
Fast and filthy comedy from E4 created by O-T Fagbenle and co-starring Christopher Meloni and Jourdan Dunn
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Reviews
‘The Fight For Greenland’: CPH:DOX Review
Four Greenlanders explore their culture and identity in the opening film at 2020’s online CPH:DOX
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Reviews
‘Feel Good’: TV Review
Mae Martin’s semi-autobiographical comedy could be as good as it gets
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Reviews
‘Bitter Love’: CPH:DOX Review
Jerzy Sladowski hops on a Russian riverboat cruise and ends up with a hugely-engaging documentary
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Reviews
‘IWOW: I Walk on Water’: CPH:DOX Review
Khalik’s Allah delivers an imposing work of absolute individuality
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Reviews
‘Oceonomia’: CPH:DOX Review
A disturbingly timely look at questions of modern economics - which often can’t be answered
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Reviews
‘No Kings’: CPH:DOX Review
Roberto Minervini has produced this observational documentary set among the remote Caiçara communities of Brazil
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Reviews
‘Songs Of Repression’: CPH:DOX Review
Winner of the festival’s top prize is an illuminating look at the troubled history of tranquil Chilean village
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Reviews
‘Caught In The Net’: CPH:DOX Review
Three adult actresses pretend to be pre-teen girls in order to highlight the dangers of online paedophilia
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Reviews
‘Long Live Love’: CPH:DOX Review
The relationship between a mother and her daughter evolves as the teenager recovers from cancer
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Reviews
‘Body Of Water’: Glasgow Review
Lucy Brydon makes her directing debut with this intense drama about anorexia
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Reviews
‘The Trouble With Being Born’: Berlin Review
Perplexing, confrontational AI-themed feature from Austria poses some troubling questions
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Reviews
‘Noughts And Crosses’: TV Review
This six-part BBC series flips the racial power structure in an alternative UK
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Reviews
‘Critical Thinking’: Review
John Leguizamo’s directorial debut is the true story of an unlikely championship chess team
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Reviews
‘She Dies Tomorrow’: SXSW Review
A woman’s belief that she is going to die the following day may not just be paranoia in Amy Seimetz’s effective drama