All Reviews articles – Page 171
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Reviews
‘The Laundromat’: Venice Review
Steven Soderbergh takes a self-indulgent ride through the 2015 Panama Papers financial scandal
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Reviews
‘La Llorona’: Venice Review
The acquittal of a former Guatemalan general unleashes a vengeful spirit upon his household
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Reviews
‘Giants Being Lonely’: Venice Review
Three high-school seniors navigate adolescence in rural North Carolina
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Reviews
‘Adults In The Room’: Venice Review
Parts of Costa-Gavras’s film about the Greek monetary crisis are “so dull, it’s actually rather fascinating”
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Reviews
‘My Days Of Glory’: Venice Review
A 20-something former child actor attempts to find meaning in his adult life
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Reviews
‘Rare Beasts’: Venice Review
Billie Piper makes her directorial debut with this unconventional, raw take on the romantic comedy
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Reviews
‘Ema’: Review
Pablo Larrain returns with this tale of a woman who will go to fiery lengths to be reunited with her adoptive son
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Reviews
‘Judy’: Telluride Review
Renee Zellweger gives the performance of her career in this by-the-book biopic of Hollywood legend Judy Garland
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Reviews
‘An Officer And A Spy’ (‘J’Accuse’): Venice Review
Roman Polanski and Robert Harris have collaborated on a sober film about The Dreyfus Affair; it looks set to become a sturdy international performer
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Reviews
‘The Kingmaker’: Venice Review
Documentarian Lauren Greenfield profiles former Philippines First Lady Imelda Marcos
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Reviews
‘Balloon’: Venice Review
A Tibetan family sheepherding family attempt to deal with a seismic event
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Reviews
‘Sole’: Venice Review
A Polish girl prepares to sell her unwanted baby to a childless Italian couple
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Reviews
‘5 Is The Perfect Number’: Venice Review
Tony Servillo stars in this Naples-set crime drama ’drunk on pulp pleasures’
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Reviews
‘The Perfect Candidate’: Venice Review
Director Haifaa Al Mansour returns to her native Saudia Arabia for this story about an aspiring female politician
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Reviews
‘Verdict’: Venice Review
A Filipino domestic abuse victim find the local justice system offers little protection
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Reviews
‘Only The Animals’: Venice Review
Dominik Moll opens Venice Days with an intricate, ‘Rashomon’ style potboiler set in a French farming community
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Reviews
‘The Truth’: Venice Review
Japanese maestro Hirokazu Kore-Eda opens Venice 2019 with a French curio
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Reviews
‘Pelican Blood’: Venice Review
Nina Hoss anchors this tense drama from Germany’s Katrin Gebbe which opens Venice’s Horizons sidebar