All Reviews articles – Page 42
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Reviews
‘Baltimore’: Telluride Review
Imogen Poots is commanding as heiress-turned IRA moll Rose Dugdale in Christine Molloy and Joe Lawlor’s measured portrait
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Reviews
‘Poor Things’: Venice Review
Emma Stone is a freshly minted woman of the world in Yorgos Lanthimos’s rich slice of period futurism
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Reviews
‘Frank Capra: Mr America’: Venice Review
Pacy exploration of the life and legacy of celebrated ’It’s A Wonderful Life’ filmmaker Frank Capra
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Reviews
‘The Promised Land’: Venice Review
‘Invigoratingly savage Nordic western’ stars Mads Mikkelsen as a retired army captain attempting to tame Jutland in 1755
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Reviews
‘The Wonderful Story Of Henry Sugar’: Venice Review
Wes Anderson returns to the world of Roald Dahl for this short, satisfying star-studded confection for Netflix
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Reviews
‘Life Is Not A Competition, But I’m Winning’: Venice Review
Inventive hybrid documentary from Germany takes a historical look at gender boundaries in competitive sport
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Reviews
‘All Of Us Strangers’: Telluride Review
Andrew Scott and Paul Mescal anchor Andrew Haigh’s heartbreakingly pure 1980s drama
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Reviews
‘Saltburn’: Telluride Review
Emerald Fennell follows up ‘Promising Young Woman’ with this spiky portrait of the British upper classes
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Reviews
‘The Mission’: Telluride Review
Nat Geo doc traces the last fateful journey of missionary John Allen Chau to North Sentinel Island
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Reviews
‘Dogman’: Venice Review
Luc Besson’s tale of a troubled man who finds salvation through his love of dogs has more bark than bite.
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Reviews
‘Ferrari’: Venice Review
Adam Driver gets behind the wheel of Michael Mann’s 1950s Italian period piece which never quite hits top gear
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Reviews
‘Upon Open Sky’: Venice Review
A teenage trio go on the hunt for revenge in this lacklustre road movie penned by Guillermo Arriaga
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Reviews
‘El Conde’: Venice Review
Pablo Larrain’s high-concept Netflix drama featuring Augusto Pinochet as an ageing vampire lacks bite
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Reviews
‘City Of Wind’: Venice Review
A 17 year-old shaman comes of age in this remarkably-assured debut feature from Mongolia
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Reviews
‘God Is A Woman’: Venice Review
Panama’s indigenous Kuna fight to reclaim a documentary filmed in their community in 1975
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Reviews
‘Comandante’: Venice Review
Venice opens with this pointed dramatisation of a World War II story in which a Fascist submarine commander rescued the people he torpedoed
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Reviews
’Choose Irvine Welsh’: Edinburgh Review
Rambling exploration of the life and lurid times of Scottish author Irvine Welsh
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Reviews
‘Kill’: Edinburgh Review
A forest hunting trip takes a dark turn in this effective Scottish genre debut
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Reviews
‘The Strange Case of Dr Jekyll And Mr Hyde’: Edinburgh Review
Hope Dickson Leach’s inventive hybrid production moves the gothic novel to Edinburgh with the National Theatre of Scotland
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Reviews
‘Chuck Chuck Baby’: Edinburgh Review
Janis Pugh’s musical debut is a feel-good second-time-lucky romance set in small-town Wales