All Reviews articles – Page 74
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Reviews
‘Luxembourg, Luxembourg’: Venice Review
Antonio Lukich’s second feature is a boisterous, bittersweet saga about twin brothers
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Reviews
‘Saint Omer’: Venice Review
Alice Diop’s fiction debut uses a real-life courtroom drama to challenge media assumptions
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Reviews
‘Freedom On Fire: Ukraine’s Fight For Freedom’: Venice Review
Evgeny Afineevsky assembles urgent, immediate footage from the Ukraine front
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Reviews
‘World War III’: Venice Review
Mohsen Tanabandeh is extraordinary in Houman Seyedi’s darkly comic portrait of the making of a Holocaust film
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Reviews
‘Anhell69’: Venice Review
Colombian filmmaker Theo Montoya crafts a dark meditation on a nation, and a generation
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Reviews
‘Dead For A Dollar’: Venice Review
Walter Hill returns with a revisionist Western featuring a sterling performance from Christoph Waltz
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Reviews
‘Lord Of The Ants’: Venice Review
Gianna Amelio’s dramatisation of a strange 1960s Italian trial may prove somewhat lost in translation
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Reviews
‘The Eternal Daughter’: Venice Review
Joanna Hogg and Tilda Swinton reteam for another resonant, personal work
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Reviews
‘The Maiden’: Venice Review
Canadian Graham Foy’s debut is an ambitious portrait of teenage life
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Reviews
‘On The Fringe’: Venice Review
Lives on the edge in this Spanish social-realist drama starring Penelope Cruz and Luis Tosar
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Reviews
‘Skin Deep’: Venice Review
Alex Schaad’s witty, body-switching debut explores identity, gender fluidity and sexuality
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Reviews
‘Dogborn’: Venice Review
Isabella Carbonell’s debut feature is a tightly focused drama about homelessness and sex trafficking
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Reviews
‘Innocence’: Venice Review
Guy Davidi examines Israel’s compulsory military service in this thought-provoking documentary
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Reviews
‘Amanda’: Venice Review
First-timer Carolina Cavalli presents a distinctive portrait of a ‘friendless weirdo’ living in Turin
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Reviews
‘Love Life’: Venice Review
Family tensions are exacerbated by tragedy in Koji Fukada’s emotional melodrama
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Reviews
‘Eismayer’: Venice Review
Gerhard Liebmann gives a full-throttle performance in this true-life drama about a closeted military man
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Reviews
‘My Name Is Alfred Hitchcock’: Telluride Review
Mark Cousins presents an intriguing exploration of Alfred Hitchcock’s work
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Reviews
‘Don’t Worry Darling’: Venice Review
Director Olivia Wilde lampoons American conformity in a sophomore feature that’s more style over substance
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Reviews
‘The Banshees Of Inisherin’: Venice Review
Colin Farrell and Brendan Gleeson attempt to settle scores in Martin McDonagh’s darkly comic 1920s-set Irish drama