All Reviews articles – Page 80
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Reviews
‘The Uncle’: Karlovy Vary Review
This effective if derivative calling-card debut from Croatia bows in Karlovy Vary’s inaugural Proxima competition
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Reviews
‘Fucking Bornholm’ : Karlovy Vary Review
Tensions derail a holiday with friends in Anna Kazejak’s well-observed Danish drama
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Reviews
‘Vesper’: Karlovy Vary Review
Ecological fragility fuels this dystopian sci-fi from Kristina Buozyte and Bruno Samper
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Reviews
‘The Ordinaries’: Munich Review
Filmmaker Sophie Linnenbaum makes an inventive debut with this political satire set in a parallel cinematic world
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Reviews
‘Paloma’: Munich Review
Kika Sena puts in an exceptional performance as a Brazilian trans woman desperate for a church wedding
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Reviews
‘Mother’: Munich Review
Testimonies of real life mothers are at the centre of Carolin Schmitz’s involving documentary-fiction hybrid
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Reviews
‘The Pool’: Munich Review
Doris Dorrie takes a dive into culture war comedy with this well-observed poolside drama
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Reviews
‘Solastalgia’: Munich Review
Difficult issues of climate change inform Marina Hufnagel’s modest but effective docu-drama
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Reviews
‘God Is A Beetle’: Munich Review
Felix Hermann explores the complexities of modern religious faith in his committed, cerebral drama
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Reviews
‘Mikado’: Transilvania Review
A taut and involving family drama is at the heart of Emanual Parvu’s second feature
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Reviews
‘A Higher Law’: Transilvania Review
Octav Chelaru makes his debut with this carefully calibrated portrait of a woman who finds her faith tested
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Reviews
‘The Night Belongs To Lovers’: Transilvania Review
A one night stand is at the heart of Julien Hilmoine’s likeable, if light, emotional drama
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Reviews
‘Gentle’: Transilvania Review
A female bodybuilder finds her inner strength in this immersive drama
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Reviews
‘January’: Tribeca Review
Viesturs Kairiss paints a rather sombre picture of adolescence in the political turbulence of early-90s Latvia
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Reviews
‘Private Messages’: Transilvania Review
Filmmaker Matias Bize presents a selection of eight intimate pandemic-inspired monologues
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Reviews
‘Good Girl Jane’: Tribeca Review
A double win for Sarah Elizabeth Mintz’s debut at Tribeca also honours Rain Spencer’s breakout performance in the title role
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Reviews
‘Attachment’: Tribeca Review
Set between Copenhagen and North London’s Orthodox community, Gabriel Bier Gislason’s paranormal debut strikes an impressive balance
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Reviews
‘Huesera’: Tribeca Review
In Michelle Garza Cervera’s Tribeca prize-winning feature debut, a pregnant woman with a past has a toxic encounter with the supernatural
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Reviews
‘The Cave Of Adullam’: Tribeca Review
Inside a martial arts dojo, young Black boys learn to overcome their very real fears of the world outside