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‘The Accountant 2’ review: Ben Affleck and Jon Bernthal are back with a winning formula
Gavin O’Connor follows up his 2016 action hit
‘Another Simple Favor’ review: Anna Kendrick and Blake Lively return for uninspired sequel
Paul Feig’s follow-up to his 2018 frenemy thriller opens SXSW
‘Death Of A Unicorn’ review: Paul Rudd and Jenna Ortega star in mythical monster movie
Alex Scharfman’s uneven debut also stars Richard E Grant and Will Poulter
‘Snow Leopard Sisters’ review: Indigenous conservationists fight for change in the high Himalayas
Nepal-set documentary bows at SXSW
‘Monk In Pieces’ review: Kaleidoscopic portrait of US musician Meredith Monk
Documentary plays Thessaloniki following its Berlin premiere
’Gen_’ review: A Milan hormone specialist treats fertility and gender issues
Observational doc plays Thessaloniki after a well-received Sundance premiere
‘Long Day’s Journey Into Night’ review: Jessica Lange and Ed Harris power delayed adaptation
Theatre director Jonathan Kent’s feature debut premieres at Glasgow and Dublin
‘Hill’ review: Intimate portrait of F1 driver Damon Hill
Alex Holmes’ access-all-areas documentary for Sky premieres at Glasgow
‘Four Letters Of Love’ review: Irish eyes a’romancing in heartfelt adaptation
Pierce Brosnan, Gabriel Byrne and Helena Bonham Carter headline
‘Tornado’ review: Tim Roth, Jack Lowden and Kôki do battle in 18th century Britain
John Maclean’s Western/samurai hybrid thriller opens Glasgow Film Festival
’Beat The Lotto’: Gambling hijinks in entertaining Irish doc
Led by a mathemattician, a numbers syndicate attempts to game the Irish Lottery in 1992
’Aontas’ review: Irish-language crime puzzle
Carrie Crowley and Brid Brennan anchor Damian McCann’s twisting noir thriller
‘Ready Or Not’ review: Irish rites-of-passage debut is lively and vital
The long days of summer turn increasingly dark for a group of teen girls in late ’90s Dublin
‘1001 Frames’ review: Experimental thriller shot clandestinely in Iran
Mehrnoush Alia uses the legend of Scheherazade to explore male power and manipulation
’Fiume O Morte!’: Rotterdam Review
Rotterdam’s Tiger winner inventively re-enacts the 1919 occupation of Fiume by Italian poet Gabriele D’Annunzio
‘Raptures’: Rotterdam Review
Intense religious fervour brings fear to a 1930s Swedish village in Rotterdam’s Big Screen winner
‘Wind, Talk To Me’: Rotterdam Review
Hybrid Serbian drama is an affecting creative meditation on grief
‘Vitrival - The Most Beautiful Village In The World’: Rotterdam Review
Droll, dry Belgian comedy-drama tackles rising tensions in a small francophone village
‘Perla’: Rotterdam Review
A Slovak woman’s new life in 1980s Vienna is threatened by secrets from her past
‘Dead Lover’: Rotterdam Review
A gravedigger goes to extreme lengths to mend a broken heart in this garish Canadian horror
