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‘Ravens’: Red Sea Review
‘Shogun’’s Tadanobu Asano plays Japanese photographer Masahisa Fukase in this inventive biopic
‘The Sinking Of The Lisbon Maru’: Review
Fang Li explores the 1942 sinking of a Japanese cargo ship in this Chinese awards hopeful
‘Silent City Driver’: Tallinn Review
Tallinn winner Sengedorj Janchivdor’s powerful drama paces the streets of Ulaanbataar at night
’Lust In The Rain’: Tokyo Review
Ambitious, uneven erotic love triangle drama set in 1940s Japan
‘The Unseen Sister’: Tokyo Review
Midi Zi’s first China-shot feature is a thriller starring Zhao Yiling
‘Teki Cometh’: Tokyo Review
A retired university professor faces an unseen enemy in this frighteningly-effective drama from Japan
‘The Last Dance’: Tokyo Review
Dayo Wong and Michael Hui are the odd couple at the heart of this Hong Kong drama set in a Taoist funeral home
‘My Friend An Delie’: Tokyo Review
Chinese actor Dong Zijian makes his directorial debut with this significant drama
‘Daughter’s Daughter’: Tokyo Review
Huang Xi’s drama stars Sylvia Chang in an elegant story of motherhood and loss
‘11 Rebels’: Tokyo Review
Tokyo opens with a blisteringly old-fashioned Samurai slice-’em-up
‘The Wolves Always Come At Night’: London Review
Immersive docu-fiction from the director of ‘Island Of The Hungry Ghosts’ charts climate change in Mongolia
‘Spirit World’: Busan Review
Eric Khoo’s whimsical tale of the afterlife stars Catherine Deneuve as a chain-smoking chanteuse and is set in Tokyo
‘Yen And Ai-Lee’: Busan Review
Kimi Hsia Yu-chiao and Yang Kuei-mei impress in this striking black-and-white Taiwanese mother-daughter drama
‘Crocodile Tears’: London Review
Atmospheric debut is set in a West Java crocodile farm
‘Montages Of A Modern Motherhood’: Busan Review
A first-time mother comes under increasing pressure in this astute Hong Kong drama
‘Waterdrop’: Busan Review
A bereaved teenager goes to extreme lengths to find a new family in this uneven Korean debut
‘The Land Of Morning Calm’: Busan Review
The disappearance of a local fisherman sends ripples through his South Korean coastal community
‘Abel’: Busan Review
The life of a Kazakh farmer unravels after the collapse of the Soviet Union
‘The Height Of The Coconut Trees’: Busan Review
Cinematographer Du Jie makes his directorial debut with this enigmatic Japanese ghost story
‘As The River Goes By’: Busan Review
Debut from China tracks the ripples of the past into present-day life in a small town
![[Clockwise]: 'Anora', 'The Substance', 'Kneecap', 'All We Imagine As Light'](https://d1nslcd7m2225b.cloudfront.net/Pictures/415x277/6/4/0/1439640_screenteamfilms_937759.jpg)
