Latest
‘The Last Shore’ review: The aftermath of the tragic death of a Gambian migrant
Jean-Francois Ravagnan’s debut traces the impact of Pateh Sabally’s 2017 death in Venice
‘Flophouse America’ review: Poverty, addiction and one-room living wreak havoc on a child’s life
Close-quarters doc is a study of a family on the margins
‘Blame’ review: Three Covid-19 scientists fall victim to truth-twisting narratives
Christian Frei’s alarming documentary opens Visions du Reel
‘The Redemption’ review: Daniel Guzman, Luis Tosar star in Madrid-set social drama
Guzman directs and stars in worthy piece about a man trying to save his grandmother from eviction
‘The Helsinki Effect’ review: Timely doc revisits pivotal East/West summit
CPH:DOX title is a lively exploration of the 1975 Helsinki conference that aimed to end the Cold War
‘Lowland Kids’ review: America’s first climate refugees prepare to leave their Louisiana home
Darren Aronofsky produces this ’extremely accomplished’ CPH:DOX debut
‘Sanatorium’ review: Striking portrait of Odesa’s Soviet-era health facility
Documentary from Irish director Gar O’Rourke debuts at CPH:DOX
‘Animality’ review: Ai Weiwei explores our often shocking relationship with animals
The filmmaker’s unflinching work bows at CPH:DOX
‘Hallow Road’ review: Babak Anvari drives dangerously with Rosamund Pike, Matthew Rhys
Close-quarters SXSW chiller is also a portrait of a marriage
‘The Goals Of August’ review: Doc follows football tournament in a sleepy Greek village
The annual event unites the mountain villages of northern Greece
’Gen_’ review: A Milan hormone specialist treats fertility and gender issues
Observational doc plays Thessaloniki after a well-received Sundance premiere
‘That Summer In Paris’ review: Tender debut plays out as the city hosts the 2024 Olympics
Valentine Cadic’s drama premieres in Berlin’s Perspectives
‘Ready Or Not’ review: Irish rites-of-passage debut is lively and vital
The long days of summer turn increasingly dark for a group of teen girls in late ’90s Dublin
‘The Safe House’ review: Cluttered 1960s Paris-set chamber piece
Lionel Baier makes his first appearance in Berlin competition
‘Timestamp’ review: Doc is a powerful, fractured portrait of school days in Ukraine
Kateryna Gornostai returns to Berlin with this Competition title
‘Kontinental ’25’ review: Radu Jude returns after winning the Golden Bear
Berlin Competition title is a satirical state-of-the-world treatise
‘Dreams (Sex Love)’ review: Dag Johan Haugerud concludes his trilogy at Berlin
Sensitive coming-of-age story is a wisful end to the Norwegian auteur’s work
‘Mother’s Baby’ review: Postpartum stress under the lens in meticulous Berlin title
Marie Leuenberger gives a terrific performance in a drama that leans into horror
‘Two Times João Liberada’ review: Portuguese LGBTQ+ title is a niche debut
Paula Tomás Marques uses a fictional history to shed light on modern filmmaking conventions
‘Late Shift’ review: Leonie Benesch excels as a Swiss nurse under pressure
Petra Volpe’s tense hospital drama plays as a Berlin Special Gala
