Small MPU – Page 314
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News
Nobody To Watch Over Me selected as Japan's Oscar entry
Director Ryoichi Kimizuka’s Nobody To Watch Over Me (Dare Mo Mamotte Kurenai) has been selected as Japan’s official entry for the best foreign-language film category of the Academy Awards.
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News
Entertainment unions join calls for tough action on digital pirates
A group of leading UK trade unions have joined forces with the creative industries in a bid to save thousands of jobs at risk from illegal file-sharing.
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News
Taiwan’s GIO to revoke Prince Of Tears subsidy
Taiwan’s Government Information Office (GIO) has informed Prince Of Tears director Yonfan that it will take back the film’s $306,000 (NT$10m) subsidy unless it withdraws as Hong Kong’s selection for the foreign-language category of the Academy Awards.
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News
Warner Bros unlocks fanboy vaults with DC Entertainment
Warner Bros Entertainment has restructured its DC Comics division and announced the launch of DC Entertainment (DCE) to be run by former Warner Premiere chief Diane Nelson.
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News
Paladin adds Teardrop Diamond, Handsome Harry to release slate
Mark Urman’s new distributor Paladin has acquired US rights to period romance The Loss Of A Teardrop Diamond and road movie Handsome Harry , bringing its initial slate to four.
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News
Dori Begley, Peter Van Steemburg move up Magnolia acquisitions ladder
Dori Begley has been promoted from director to vice-president of acquisitions at Magnolia Pictures.
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News
UK Film Council, Telefilm Canada return with showcases at IFP Independent Film Week
IFP has announced two international showcase screenings as part of its industry services at the 31st Annual Independent Film Week in New York in September.
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News
Cinemanx finalises US distribution for Me And Orson Welles
One year after it launched at Toronto, Richard Linklater’s Me And Orson Welles has found US distribution through an alliance assembled by UK finance and production company Cinemanx (NX).
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News
First Run takes US rights to Bulletproof Salesman
First Run Features has acquired Michael Tucker and Petra Epperlein’s documentary Bulletproof Salesman, about arms dealer Fidelis Cloer.
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News
Indonesian filmmakers condemn new film law
The Indonesian film industry is protesting against a film bill, passed into law on Tuesday, that increases censorship of local production and limits the distribution of foreign films.
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News
Coproduction Office closes further deals on A Town Called Panic
Coproduction Office has sold its Belgian animation A Town Called Panic to a further seven territories after closing a deal with Zeitgeist for the US last week.
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Comment
Putting art before politics
The recent decision by Taiwan’s Government Information Office to revoke its subsidy for Miao Miao does not help the long-term development of the Taiwanese film industry.
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News
Yellow Bird seeks to replicate Millennium success with new book deal
Yellow Bird, the Swedish production company behind the Millennium trilogy, has secured rights to six books in Liza Marklund’s Annika Bengtzon series.
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Comment
In a free world, how can we make content pay?
There are better ways to deal with the threat from free content than clinging to an antiquated business model. Brian Newman has some suggestions for the film industry.
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Comment
Acting for US intelligence
At a time when internet-savvy teenagers are the key movie-going demographic, George Clooney has used his celebrity to become the standard-bearer for smart, political cinema.
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Features
When will two become one?
A possible merger between the UK’s two flagship film bodies is provoking much debate both for and against the movie. But will it even ever happen?
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News
ScreenDaily named one of the world's top ten film sites
ScreenDaily has been named one of the top ten film sites in world by The Sunday Times.
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News
Adam Elliot wins best feature at Australian Directors Guild Awards
Film-maker Adam Elliot has won the Australian Directors Guild Award for best feature Mary And Max.
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News
Mendoza's Lola revealed as second surprise film in Venice
Filipino director Brillante Mendoza’s latest project Lola is the second surprise film added to the Venice Film Festival main competition line-up.