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All articles by Tim Grierson, Senior US Critic – Page 17
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Reviews‘DC League Of Super-Pets’: Review
Warner Bros animated superhero epic takes a block from the Lego films but adds furrier, cuter, protagonists
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Reviews‘Thirteen Lives’: Review
Viggo Mortensen and Colin Farrell star in Ron Howard’s sturdy dramatisation of the 2018 Thai cave rescue
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Reviews‘Country Gold’: Fantasia Review
Indie genre veteran Mickey Reece imagines a surreal meeting between country musicians
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Reviews‘Shin Ultraman’: Fantasia Review
The 1960s Japanese alien returns in a mix of high-concept action and retro effects
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Reviews‘Nope’: Review
Jordan Peele reaches for the stars with his thrillingly ambitious third feature
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Reviews‘The Gray Man’: Review
Despite its starry cast, Netflix’s latest adrenalised action-thriller is lacking in narrative colour
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Reviews‘Where The Crawdads Sing’: Review
Daisy Edgar-Jones shines in this otherwise pulpy adaptation of the Delia Owens bestseller
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Reviews‘Mrs Harris Goes To Paris’: Review
Lesley Manville charms the arthouse with this endearing adaptation of Paul Gallico’s novel
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Reviews‘Thor: Love And Thunder’: Review
Chris Hemsworth and Natalie Portman are reunited in Taika Waititi’s rousing follow-up to ’Thor: Ragnarok’
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Reviews‘The Cave Of Adullam’: Tribeca Review
Inside a martial arts dojo, young Black boys learn to overcome their very real fears of the world outside
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Reviews‘Spiderhead’: Review
Chris Hemsworth and Miles Teller are locked inside Joseph Kosinski’s slick prison thriller for Netflix
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Reviews‘McEnroe’: Tribeca Review
Ambitious documentary portrait follows the infamous bad boy of tennis
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Reviews‘Somewhere In Queens’: Tribeca Review
Ray Romano makes his directorial debut with a wistful drama about a middle-aged father and his teenage son
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Reviews‘Hustle’: Review
Adam Sandler plays it effectively straight in this likeable basketball drama for Netflix
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Reviews‘Showing Up’: Cannes Review
Michelle Williams stars in Kelly Reichardt’s first Cannes Competition entry, a wry comedy about a solitary sculptor
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Reviews‘Rebel’: Cannes Review
Adil & Bilall’s family drama about Jihad radicalisation hits close to home for the Belgian-Moroccan duo
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Reviews‘Broker’: Cannes Review
Hirokazu Kore-eda’s first Korean-language picture is a sensitive and compassionate look at the market for unwanted children
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Reviews‘Mediterranean Fever’: Cannes Review
In Haifa, an unlikely friendship between two neighbours is the basis of a muted exploration of masculinity and mental illness