All Venice articles – Page 93
-
-
-
-
Reviews
A Country Teacher
Dir: Bohdan Slama. Czech-Ger-Fr. 2008. 113mins.A bittersweet comedy about a gay teacher hiding out in a country school, Bohdan Slama’s follow-up to his award-winning Something Like Happiness feels slightly old-fashioned, going over ground that has already been dealt with in other films. The kind of gay ...
-
-
Reviews
Teza
Dir-scr: Haile Gerima. Ethiopia-Germany-France. 2008. 140mins.Haile Gerima ambitiously attempts to put his native country’s tragic recent history into context in the sprawling Teza, which follows an Ethiopian intellectual through exile in Germany and return to his home village during the turbulent early years of the Marxist ...
-
Reviews
Milk (Sut)
Dir: Semih Kaplanoglu. Turkey-France-Germany. 2008. 111mins.Painfully slow but at the same time a resonant, elegiac coming of age story, the second installment in Turkish arthouse director Semih Kaplanoglu’s Yusuf trilogy shows him to be something of a magic-realist Terence Davies. But with its overlong shots in ...
-
-
-
-
Reviews
Vegas: Based On A True Story
Dir: Amir Naderi. US. 2008. 102mins.Vegas: Based on a True Story feels like Vegas: A Shooting Experiment. Iranian director Amir Naderi - living in the US for the last 20 years - has wrapped an interesting story in a drab,DV format, framed mostly in long and ...
-
Reviews
Goodbye Solo
Dir: Ramin Bahrani. US. 2008. 91mins.An odd-couple relationship fuels a slow-burning but ultimately moving emotional and spiritual journey in Ramin Bahrani’s third feature. As in the well-received festival faves Man Push Cart and Chop Shop, the US director of Iranian origins unspools a story set among ...
-
Reviews
Plastic City (Dangkou)
Dir: Yu Lik-wai. Brazil-China-Japan. 2008. 118mins.An underdeveloped yakuza-in-Brazil storyline and a hip- hop VJ sound-and-image assault do not add up to a rounded arthouse film in Yu Lik-wai’s PlasticCity. Despite some moments of visual brilliance, this third directorial outing by Jia Zhangke’s regular cinematographer betrays the ...
-
Reviews
L'Autre
Dirs: Patrick Mario Bernard, Pierre Trividic. France. 2008. 97mins.This rather frosty but nevertheless intriguing study of one woman’s descent into jealousy, which premiered in competition at Venice, is one of those well-crafted exercises that plays better in the viewing than in the recall. That’s because it’s ...
-
Reviews
Kabuli Kid
Dir: Barmak Akram. France-Afghanistan. 2008. 95mins.What makes this small French-backed Afghan charmer, which premiered in Critics’ Week at Venice, more than just a heartwarming quest comedy is its grounding in the everyday chaos and strict social and religious codes of war-ravaged Kabul. Though honed by script ...
-
Reviews
A Perfect Day (Un Giorno Perfetto)
Dir: Ferzan Ozpetek. Italy. 2008. 101mins.Obsessive love, corrupt politicians, coming-of-age crisis and teenage rebellion are just some of the ingredients in Ferzan Ozpetek’s Competition entry A Perfect Day. Adapted from a novel by Melania Mazzucco, this tragic melodrama spreads itself rather thin trying to pack it ...
-
News
Venice Film Festival reviews
Click to see full reviewCompetitionAchilles And The Tortoise (Takeshi Kitano)L'Autre (Patrick Mario Bernard, Pierre Trividic)Birdwatchers(Marco Bechis)The Burning Plain (Guillermo Arriaga) Giovanni's Father (Pupi Avati)The Hurt Locker (Kathryn Bigelow)Il Seme Della Discordia (Pappi Corsicato) Inju, The Beast In The Shadow (Barbet Scroeder)Inland (Tariq Teguia)Jerichow (Christian Petzold)A Perfect Day (Ferzan Ozpetek)Milk (Semih ...
-
Reviews
Ponyo on the Cliff By The Sea (Gake No Ue No Ponyo)
Dir-scr: Hayao Miyazaki. Jap. 2008. 101minsVisually, it’s extraordinary; imaginatively, it’s daring. Once again Hayao Miyasaki is playing in a league of his own with Ponyo On The Cliff By The Sea, a sweet, gentle, moving, and always delightful Japanese take on the classic Little Mermaid fable. Commercially, it has the ...
-
-
Reviews
The Burning Plain
Dir: Guillermo Arriaga. USA. 2008. 105 mins.His much-publicised falling out with director Alejandro Gonzalez Inarritu seems to have done Guillermo Arriaga the world of good. The Burning Plain, which the Mexican writer directed from his own script, is a powerful contemporary melodrama, more restrained but also ...