All articles by Wendy Ide – Page 11
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Reviews
‘Club Zero’: Cannes Review
Mia Wasikowska stars in Jessica Hausner’s restrained Competition drama
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Reviews
‘The Settlers’: Cannes Review
Felipe Galvez’s ambitious feature debut confronts a brutal period in Chilean colonial history
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Reviews
‘Lost Country’: Cannes Review
A teenager in 1990s Serbia discovers who his beloved mother really is in Vladimir Perisic’s political drama
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Reviews
‘The Mother Of All Lies’: Cannes Review
Asmae El Moudir explores the history of both her family and her Casablanca neighbourhood in this distinctive documentary
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Reviews
‘Along Came Love’: Cannes Review
An epic post-war romance starring Anaïs Demoustier and Vincent Lacoste has its roots in director Katell Quillevere’s own family history
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Reviews
‘Banel & Adama’: Cannes Review
Madness descends on a married couple’s domestic bliss in this debut Competition title from Senegal
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Reviews
‘Four Daughters’: Cannes Review
Kaouther Ben Hania enters Cannes Competition with a hybrid documentary portrait of a Tunisian mother and her daughters
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Reviews
‘How To Have Sex’: Cannes Review
A teenage summer holiday turns endurance test in cinematographer Molly Manning Walker’s arresting debut
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Reviews
‘Deserts’: Cannes Review
The adventures of Casablancan debt collectors take a sharp turn in Fauzi Bensaidi’s disorienting drama
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Reviews
‘The Delinquents’: Cannes Review
Like its protagonists, Rodrigo Moreno’s crime thriller takes risks - which pay off
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Reviews
‘The Nature Of Love’: Cannes Review
Monia Chokri returns to Cannes with her third feature, a fun, sharp and sexy Canadian romcom
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Reviews
‘Praying For Armageddon’: CPH:DOX Review
America’s extreme religious right is shaping the political landscape at home - and in the Middle East
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Reviews
‘Songs Of Earth’: CPH:DOX Review
Margreth Olin strides into the Norwegian landscape with her 84-year-old father in this arresting documentary
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Reviews
‘A Storm Foretold’: CPH:DOX Review
Incendiary documentary profile of Donald Trump’s divisive former advisor Roger Stone
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Reviews
‘Motherland’: CPH:DOX Review
Belarus army hazing rituals are a deathly sign of the Soviet past - and a bloody presence in what is happening across the region right now
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Reviews
‘Twice Colonized’: CPH:DOX Review
Greenlandic activist Aaju Peters allows the camera to track the painful personal results of colonisation in this CPH:DOX opening film
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Reviews
‘Northern Comfort’: SXSW Review
Hafsteinn Gunnar Sigurðsson’s English-language comedy about a bunch of stranded aerophobes struggles to land
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Reviews
‘The Black Guelph’: Dublin Review
Actor John Connors goes behind the camera to tell a story of generational neglect and abuse set in Dublin’s inner city
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Reviews
‘Art College 1994’: Berlin Review
Liu Jian follows up ‘Have A Nice Day’ with this picture postcard from China during the seismic 1990s
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Reviews
‘The Future Tense’: Dublin Review
Christine Molloy and Joe Lawlor’s ‘profound and poetic’ doc explores the changing relationship between people and place