All articles by Wendy Ide – Page 13
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Reviews‘Kim’s Video’: Sundance Review
’Maverick-spirited tale of movie-obsession’ starts out in a long-lost New York film institution and ends up in Sicily
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FeaturesFilms of the year 2022: Wendy Ide
Wendy Ide joined Screen in 2015 as a UK-based critic, and also writes for The Observer and Sight & Sound.
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FeaturesSarah Polley on making ‘Women Talking' and why the story meant so much to her
In Women Talking, an ultraconservative religious community’s female members must decide how to confront the sexual abuse they are experiencing. Its writer/director Sarah Polley talks to Screen.
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Reviews‘Hanging Gardens’: Red Sea Review
A young boy finds unlikely treasure in a Baghdad city dump in Red Sea’s Best Film prizewinner
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Reviews‘A Summer In Boujad’: Red Sea Review
A teenage boy struggles with a move from Paris to Morocco
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Reviews‘The Last Queen’: Red Sea Review
A defiant queen takes a stand in this debut set in 1500s Algeria
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Reviews‘Our Lady Of The Chinese Shop’: Red Sea Review
Several stories intertwine in this bold debut set in Angola’s capital Luanda
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Reviews‘Driving Mum’: Tallinn Review
Icelandic winner of Tallinn’s top prize is a road movie from beyond - or before - the grave
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Reviews‘The Wastetown’: Tallinn Review
A desperate woman searches for her missing son in Ahmad Bahrani’s follow up to Venice Horizons winner ’The Wasteland’
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Reviews‘A Cup Of Coffee And New Shoes On’: Tallinn Review
Deaf-mute identical twin brothers must cope with losing their sight in this superb Albanian drama
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Reviews‘The Other Widow’: Tallinn Review
Tel Aviv-set debut focuses on a secret mistress whose life is silently impacted by the loss of her lover
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Reviews‘Parade’: Tallinn Review
A brass band leader’s life gets riotously uncomfortable in this pleasing debut from Lithuania
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Reviews‘Pelican’: Tallinn Review
An injured Croatian footballer questions his entire life in this Croatian feature debut
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Reviews‘Typist Artist Pirate King’: Tallinn Review
Carol Morley presents a fictionalised portrait of little-known avant-garde schizophrenic artist Audrey Amiss
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Reviews‘Summerlight And Then Comes The Night’: Tallinn Review
Elfar Adalsteins returns home to Iceland to adapt the popular source novel by Jon Kalman
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Reviews‘Peacock Lament’: Tokyo Review
A desperate man takes a job with a Colombo-based human trafficker in Sanjeewa Pushpakumara’s fourth feature
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Reviews‘Mountain Woman’: Tokyo Review
Takeshi Fukanaga’s third feature follows a shamed woman searching for peace in 18th century Japan
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Reviews‘And So I’m At A Loss’: Tokyo Review
Daisuke Miura adapts his own stage play about a 20-something Tokyo slacker
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Reviews‘Egoist’: Tokyo Review
A successful gay man navigates a new romance in Daishi Matsunaga’s satisfying character study
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Reviews‘Glorious Ashes’: Tokyo Review
Three women eke out a life in a Vietnamese fishing village in Bui Thac Chuyen’s Tokyo competition title