All articles by Wendy Ide – Page 17
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Reviews
‘Grand Jeté’: Berlin Review
Isabelle Stever’s bold and troubling drama of a reunited mother-son relationship pushes beyond motherly love
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Reviews
‘The Passengers Of The Night’: Berlin
Charlotte Gainsbourg leads Mikhaël Hers’ gentle, optimistic drama set in 1980s Paris
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Reviews
‘Nana: Before, Now & Then’: Berlin Review
Kamila Andini’s fourth feature is a melancholy drama set during the Indonesian communist purge of the 1960s
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Reviews
‘This Much I Know To Be True’: Berlin Review
Back to stripped-down basics with Nick Cave and his long-term visual collaborator Andrew Dominik
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Reviews
‘Everything Will Be OK’: Berlin Review
Rithy Panh’s iconic figurines imagine an overthrow of the human race with little hope for the future
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Reviews
‘Flux Gourmet’: Berlin Review
Peter Strickland’s new absurdist drama of sonic caterers in artistic residence is his funniest yet
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Reviews
‘Beautiful Beings’: Berlin Review
Gudmundur Arnar Gudmundsson’s sophomore Icelandic feature finds tenderness in a cruel adolescent world
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Reviews
‘Nobody’s Hero’: Berlin Review
Alain Guiraudie’s tale of terrorism marks a tonal shift that favours stereotypes over satire
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Features
Berlin 2022: Screen’s guide to the Special, Forum and Generation titles
The Berlinale unfolds this year as an in‑person event, while the European Film Market has been forced online for a second time
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Features
Berlin 2022: Screen’s guide to the Panorama titles
The Berlinale unfolds this year as an in‑person event, while the European Film Market has been forced online for a second time.
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Features
Berlin 2022: Screen’s guide to the Encounters titles
Screen profiles the Competition, Encounters, Panorama and Specials strands.
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Features
Berlin 2022: Screen’s guide to the Competition titles
The Competition line-up includes new titles by Claire Denis, Phyllis Nagy, Rithy Panh, Hong Sangsoo, Francois Ozon and Denis Côté.
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Reviews
‘Give Me Pity!’: Rotterdam Review
Sophie von Haselberg shines bright in this lurid picture of stardom undone which forms part of Rotterdam’s focus on Amanda Kramer
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Reviews
‘Please Baby Please’: Rotterdam Review
Amanda Kramer’s genderqueer underworld odyssey opens Rotterdam’s second online edition
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Reviews
‘Met Mes’: Rotterdam Review
Sam de Jong’s third feature uses a colourful coat of irony to explore peer pressure
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Reviews
‘The Exiles’: Sundance Review
Sundance winner reunites veteran documentary filmmaker Christine Choy with the Tiananmen Square protest leaders
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Reviews
‘Sharp Stick’: Sundance Review
Lena Dunham shows she hasn’t mellowed in the frustratingly-uneven ’Sharp Stick’
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Reviews
‘Summering’: Sundance Review
Sundance regular James Ponsoldt returns with a female-led coming-of-age drama
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Reviews
‘Good Luck To You Leo Grande’: Sundance Review
Emma Thompson leads sexual empowerment comedy drama to unsatisfying ends.