All articles by Wendy Ide – Page 18
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Reviews
‘Framing Agnes’: Sundance Review
Reframing trans history as a community conversation via ‘chat show’ device
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Reviews
‘Speak No Evil’: Sundance Review
Disturbing psychological horror from Denmark wittily undermines genre tropes
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Reviews
‘Living’: Sundance Review
Bill Nighy leads this handsome, period adaptation of Akira Kurosawa’s masterpiece, Ikiru
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Reviews
‘A Love Song’: Sundance Review
Dale Dickey and Wes Studi’s intimate performances anchor arthouse debut
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Reviews
‘When You Finish Saving The World’: Sundance Review
Jesse Eisenberg makes his directorial debut with this biting family drama
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Features
Screen’s guide to the 2022 documentary Oscar shortlist
This year’s Academy Award shortlist has a decidedly international flavour.
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Features
Screen’s guide to the 2022 international feature Oscar shortlist
Europe dominates the shortlist for this year’s international feature film Oscar, nabbing 10 of the 15 places.
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Features
Jude Hill talks playing a young version of Kenneth Branagh in ‘Belfast’
Kenneth Branagh cast untrained Northern Irish youngster Jude Hill to play the child version of the director in his autobiographical drama.
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Features
Films of the year 2021: Wendy Ide
Wendy Ide joined Screen in 2015 as a UK-based critic, and also writes for The Observer and Sight & Sound.
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Features
‘C’mon C’mon’ actor Woody Norman: “Never not listen to someone because of their age”
The young star of ‘C’mon C’mon’ talks to Screen about a star-making performance.
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Reviews
‘The Exam’: Red Sea Review
Shawkat Amin Korki’s taut drama concerns a young woman who risks everything to ensure she passes her exams
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Reviews
‘Farha’: Red Sea Review
Darin J. Sallam delivers a harrowing debut in this portrait of a Palestinian woman hiding out from Israeli forces
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Reviews
‘Communion’: Red Sea Review
Writer-director Nejib Belkadhi stars as a man battling mental illness in the midst of the Covid-19 lockdown
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Reviews
‘Paka (River Of Blood)’: Red Sea Review
A long-standing blood feud between rival families gets reignited in this savage, vividly realised tale
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Reviews
‘The Sea Ahead’: Red Sea Review
Ely Dagher’s striking first feature is a poetic look at a woman who returns home, finding a city she no longer recognises
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Features
“I didn’t even tell my agent until we wrapped”: Simon Rex on his clandestine ‘Red Rocket’ role
Simon Rex belatedly finds himself in the limelight following an up-and-down, all-over-the-map professional career.
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Reviews
‘No Looking Back’: Tallinn Review
Families at war fuel Kirill Sokolov’s bloody follow-up to Why Don’t You Just Die?
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Reviews
‘Other Cannibals’: Tallinn Review
Two troubled men forge an unlikely friendship in Francesco Sossai’s dark Italian comedy
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Reviews
‘The Score’: Tallinn Review
Malachi Smyth’s musical heist movie proves to be an unusual debut
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Reviews
‘Erasing Frank’: Tallinn Review
Hungarian director Gabor Fabricius explores his country’s totalitarian past in his confident feature debut