All articles by Wendy Ide – Page 21
-
Reviews
‘Amira’: Venice Review
Mohamed Diab’s film interrogates the status of a Palestinian teenager whose identity is suddenly thrown into question
-
Reviews
‘Last Night In Soho’: Venice Review
Director Edgar Wright takes a wild ride through London’s seedy past
-
Reviews
‘Full Time’: Venice Review
Laure Calamy races against the clock in this grippingly tense French drama from Eric Gavel
-
Reviews
‘The Lost Daughter’: Venice Review
Maggie Gyllenhall’s directorial debut stars Olivia Colman in another tour-de-force performance
-
Reviews
‘Karmalink’: Venice Review
Jake Wachtel makes his feature debut with this imaginative Buddist sci-fi set in Cambodia’s Pnom Penh
-
Reviews
‘Hallelujah: Leonard Cohen, A Journey, A Song’: Venice Review
A deep dive into the poet/troubador’s most famous song
-
Reviews
‘Shen Kong’: Venice Review
Venice Days opener from Macao is a wayward lockdown romance which takes place in an unidentifed east Asian city
-
Reviews
‘The Tribe Of Gods’: Docs Ireland Review
Tory Island off the coast of Donegal is the rich setting for Loic Jourdain’s observational documentary
-
Reviews
‘Her Socialist Smile’: Docs Ireland Review
A meditation on the life and thoughts of 19th century disability activist Helen Keller
-
Reviews
‘Lydia Lunch: The War Is Never Over’: Docs Ireland Review
A compulsively watchable cultural document of a stroppy, scrappy misfit
-
Reviews
‘Far Eastern Golgotha’: Docs Ireland Review
An impressive debut with ’a boisterous, anarchic energy to match its charismatic but self-destructive subject’
-
Reviews
‘Martyrs Lane’: Fantasia Review
Strange visions haunt Ruth Platt’s melancholy supernatural story
-
Reviews
‘What Josiah Saw’: Fantasia Review
Buried family trauma is excavated in Vincent Grashaw’s Southern Gothic drama
-
Reviews
‘Indemnity’: Fantasia Review
A wrongfully accused man is chased by cops and mercenaries in this paranoid political thriller
-
Reviews
‘Hotel Poseidon’: Fantasia Review
Welcome to Stef Lernous’ nightmarish debut, ’a repulsively compelling one-off’
-
Reviews
‘Who We Love’: Galway Review
An Irish schoolgirl is targeted for her sexuality in Graham Cantwell’s coming-of-age drama
-
Reviews
‘The Restless’: Cannes Review
A seemingly perfect marriage begins to collapse under the weight of mental illness
-
Reviews
‘Marx Can Wait’: Cannes Review
Marco Bellocchio looks back in sadness at the death of his twin brother
-
Reviews
‘Casablanca Beats’: Cannes Review
A vibrant musical from Nabil Ayouch, shot over two years at the cultural centre he founded
-
Reviews
‘Prayers For The Stolen’: Cannes Review
Tatiano Huezo’s intimate tale of Mexican adolescents makes its bow in Un Certain Regard