All articles by Wendy Ide – Page 23
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Reviews
‘Hallelujah: Leonard Cohen, A Journey, A Song’: Venice Review
A deep dive into the poet/troubador’s most famous song
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Reviews
‘Shen Kong’: Venice Review
Venice Days opener from Macao is a wayward lockdown romance which takes place in an unidentifed east Asian city
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Reviews
‘The Tribe Of Gods’: Docs Ireland Review
Tory Island off the coast of Donegal is the rich setting for Loic Jourdain’s observational documentary
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Reviews
‘Her Socialist Smile’: Docs Ireland Review
A meditation on the life and thoughts of 19th century disability activist Helen Keller
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Reviews
‘Lydia Lunch: The War Is Never Over’: Docs Ireland Review
A compulsively watchable cultural document of a stroppy, scrappy misfit
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Reviews
‘Far Eastern Golgotha’: Docs Ireland Review
An impressive debut with ’a boisterous, anarchic energy to match its charismatic but self-destructive subject’
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Reviews
‘Martyrs Lane’: Fantasia Review
Strange visions haunt Ruth Platt’s melancholy supernatural story
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Reviews
‘What Josiah Saw’: Fantasia Review
Buried family trauma is excavated in Vincent Grashaw’s Southern Gothic drama
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Reviews
‘Indemnity’: Fantasia Review
A wrongfully accused man is chased by cops and mercenaries in this paranoid political thriller
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Reviews
‘Hotel Poseidon’: Fantasia Review
Welcome to Stef Lernous’ nightmarish debut, ’a repulsively compelling one-off’
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Reviews
‘Who We Love’: Galway Review
An Irish schoolgirl is targeted for her sexuality in Graham Cantwell’s coming-of-age drama
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Reviews
‘The Restless’: Cannes Review
A seemingly perfect marriage begins to collapse under the weight of mental illness
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Reviews
‘Marx Can Wait’: Cannes Review
Marco Bellocchio looks back in sadness at the death of his twin brother
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Reviews
‘Casablanca Beats’: Cannes Review
A vibrant musical from Nabil Ayouch, shot over two years at the cultural centre he founded
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Reviews
‘Prayers For The Stolen’: Cannes Review
Tatiano Huezo’s intimate tale of Mexican adolescents makes its bow in Un Certain Regard
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Reviews
‘The Story Of My Wife’: Cannes Review
Ildiko Enyedi’s lengthy and lifeless drama adapts the 1942 novel by Milan Fust
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Reviews
‘Neptune Frost’: Cannes Review
Cyber-musical from Rwanda showing in Directors’ Fortnight displays defiant and dizzying originality
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Reviews
‘Lamb’: Cannes Review
Confident Icelandic debut which ’walks a delicate balance between supernatural thriller and absurdist comedy’
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Reviews
‘Invisible Demons’: Cannes Review
Indian filmmaker Rahul Jain pulls no punches about his homeland’s environmental crisis
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Reviews
‘Commitment Hasan’: Cannes Review
Turkey’s Semih Kaplanoglu continues his ‘Commitment’ trilogy in Cannes Un Certain Regard