All articles by Wendy Ide – Page 37
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Reviews‘End Of Sentence’: Edinburgh Review
John Hawkes and Logan Lerman star in this Irish-set father-and-son road trip
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Reviews‘Samurai Marathon’: Edinburgh Review
The team behind ‘13 Assassins’ unites with Bernard Rose for an epic sword-slasher
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Reviews'Balance, Not Symmetry': Edinburgh Review
An unsuccessful collaboration between director Jamie Adams and the band Biffy Clyro
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Reviews‘Strange But True’: Edinburgh Review
A fine cast including Amy Ryan and Margaret Qualley attacks Rowan Athale’s domestic thriller
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Reviews'Alice': Edinburgh Review
Directed by an Australian first-timer, this Paris-set SXSW winner impresses on its international debut
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Reviews'The Furies': Edinburgh Review
Retro slasher movie from Australia should make some commercial splatter
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Reviews'The Best Of Dorien B.': Edinburgh Review
Notable debut from Belgium’s Anke Blonde which marks the former casting director out as a talent to watch
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Reviews'Boyz In The Wood': Edinburgh Review
Scotland’s premier festival opens with a lively teen comedy set in the highlands
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Reviews'Ice On Fire': Cannes Review
Leonardo DiCaprio re-teams with The 11th Hour director Leila Conners for a look at how science might be able to save the planet
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Reviews'Dwelling in the Fuchun Mountains': Cannes Review
Critics Week closes with the first of a planned trilogy from debut director Gu Xiaogang
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Reviews'Nina Wu': Cannes Review
A #Metoo moment from Taiwan’s Midi Zi, with actoress/writer Wu Ke-Xi drawing heavily on personal experiences
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Reviews'Portrait Of A Lady On Fire': Cannes Review
Celine Sciamma tries on an all-female costume drama for Cannes Competition
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Reviews'Oleg': Cannes Review
A timely and impressive second feature from Latvian director Juris Kursietis
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Reviews'Little Joe': Cannes Review
Ben Whishaw, Emily Beecham star in Jessica Hausner’s film about a genetically-modified plant
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Reviews'Song Without A Name': Cannes Reviews
Impressive debut from Peru about a pregnant young mother has clear parallels with ‘Roma’
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Reviews'Blow It To Bits': Cannes Review
Finger-jabbing rhetoric dominates Lech Kowalski’s documentary about a workers strike in a French car parts factory